July 21, 2010
Tonight we celebrate our 100th show of Promises, Promises.
It’s been an exciting ride since opening in late April. The box office
has been booming. We recorded the album, which sounds great. We got a
big bump in sales after the Tony Awards, where we performed the opening
number. Sean Hayes was a tremendous host for the evening at Radio City
and Kristin added some hilarious moments, too. In May we performed
“Where Can You Take a Girl” on board the Intrepid for fleet week and
again at Broadway in Bryant Park. In August I’m going to be doing a
reading of a new musical adaptation of the B. H. Barry’s Peter Pan.
It’s called “Pan”. It’s being directed by Jeffrey Seller – one of
Broadway’s most successful producers. Choreography will be by Andy
Blankenbuehler. Later in the year I will be back in the studio working
with Stroman on a new ballet. More on that later. Check out this profile
on
BroadwayWorld.com.
April 14th, 2010
I’m writing from my dressing room at the Broadway Theatre during
our18th preview. The show is going great. The audiences are reacting
like they’re at a rock concert. The crowds at the stage door, waiting
for Kristin and Sean to emerge, require police supervision and
bodyguards! I kid you not! We are all settling in to the routine of the
show. While previews continue we rehearse each day for about 4hours,
tweaking and tightening the show. Our first few previews ran quite long.
But Rob has been really diligent about trimming the fat. He hasn’t cut
any moments; just tightened transitions. We now come down about ten
minutes sooner than we initially did. The way the show plays there are a
few actors I don’t actually see until the curtain call. Which is an odd
feeling. The brilliant Katie Finneran, who plays ‘’Marge’, I only see
when we’re holding hands taking a bow. So we always have a little dance
around the stage together as the curtain comes down and the stage
clears. That’s what we were doing one night last week when Carol Burnett
and Megan Mullally came racing onstage from the wings - raving about the
show. Megan had tears in her eyes when she was talking to me. She LOVED
it. So did Carol. It’s all very exciting. We open April 25th.
February 2010
Rehearsals for the Broadway revival of Promises, Promises are
underway. We began the week with a meet and greet. So cool to go to work
and see Neil Simon, there! Living legend. His book for Promises
is great; makes me wish he’d write more for the musical theater. I’m
playing Eichelberger, one of the Executives at Consolidated Life. I did
it at City Center, Encores!, back in the mid-90s, and had a blast. As
soon as the audience hears that unmistakable sound of Burt Bacharach’s
1960s pop score – the overture is nothing short of spectacular - they go
crazy. This is Rob Ashford’s long-overdue Broadway directorial debut.
He’s had great success on Broadway as a choreographer, and as both a
director and choreographer on the West End. Bravo Rob. The show stars my
darling, Kristin (our first Broadway show together after all those
concerts!) Chenoweth and the incomparable Sean Hayes. Add Brooks
Ashmanskas into the brew and you can imagine that rehearsal is literally
a laugh a minute. Then there’s Tony Goldwyn, Dick Latessa (Last time we
worked together was on The Encores! production) me old mate, Katie
Finneran (Love her!). The rest of the cast are all Broadway vets and the
dancing will be a real highlight. It’s going to be a very hot ticket.
Here’s a pic of KC and me from Carnegie Hall.
January 2010
Happy New Year! Performing at the Kennedy Center Honors in
Washington D.C. was intense. Mel Brooks, Robert De Niro,
Bruce Springsteen, Dave Brubeck and Opera Diva, Grace
Bumbry were the honorees. The Mel Brooks tribute, of which I was
part, was right before intermission. The audience jumped to their feet
at the end of our 12 minute medley. Stroman did a stellar job with the
tribute.
We were then asked to line up in the wings to 'receive' the
President and First Lady, which was unexpected. I stood
between Melissa Etheridge and Jon Stewart (Heroes!). When
you're meeting the big Kahuna everyone else is equally star struck, no
matter how HUGE they are themselves. The Obama's strolled down the line
shaking everyone's hand and saying hello. There’s not much to report, I
was too intimidated to say anything except, ‘Honored to meet you. The
President’s skin felt soft. Michelle looked goddess-like in a strapless
purple/mauve draped gown. With he hair swept up she was at least 6'5".
Seriously. I was dancing with 6 foot tall showgirls all week and she
towered over them.
But the madness didn’t stop there. When Melissa (and I think you
can call a diva by her first name when you’ve chanted in her ear,
”Obama! Obama! Let Mama Marry Mama!” while anticipating the arrival of
the leader of the free world) was performing to honor Springsteen, I
found a spot alone in the wings to watch. Behind her was a painted he
backdrop of the Asbury Park boardwalk, The Boss’ stomping grounds! I
have a house in A.P. and was excited to see it represented.. So, I am
standing alone watching Etheridge when Sting stands shoulder to
shoulder with me. He was so close I could smell him! He went on next to
close the show, supported by a massive choir. I met him ten minutes
later and told him how much I have loved dancing to his music over the
years, "God Bless you", he says to me. No, God bless you STING! At which
point Vice President Biden came backstage. The Secret Service are
EVERYWHERE and I must have passed through the metal detector in the
wings ten times throughout the evening. When I met the V.P. he asked me
where I was from: Australia and more recently New York City. When I told
him I was naturalized here he then thanked me for choosing the US. Thank
-you Mr. Vice President! Star Struck. It was wall-to-wall celebs. THEN.
THEN.
THEN, I met Meryl Streep, and she was delightful, "I heard
you had an awful time with your costumes at dress rehearsal but you were
terrific tonight, it looked wonderful", She said. I replied that it all
came off splendidly. Then, just as a photo was taken, she leans her head
toward mine and sings through her smile "That's why they call us
professionals!" She was so lovely and down to earth.
A night I will always cherish. Thanks Stro!
Seán
December 2009
Hello Folks,
Heading into the Holidays I want to wish everybody a happy and
safe season. Unfortunately for the audiences at the Cincinnati Pops we
had to cancel the recent concerts there due to illness.
On Tuesday, December 29 at 9:00 p.m. CBS will broadcast The
Kennedy Center Honors Gala, a two-hour primetime special from the
Kennedy Center Opera House stage. The President and Mrs. Obama will sit
with the Honorees Mel Brooks, Dave Brubeck, Grace Bumbry, Robert De Niro,
and Bruce Springsteen as they enjoy a salute by performers from New
York, Hollywood, and the arts capitals of the world.
Susan Stroman is putting together a hilarious tribute to Mel
Brooks. I have always wanted to perform at the Kennedy Center Honors and
was thrilled when Stro asked me. In recent years she has invited me to
work with her as she created DOUBLE FEATURE, for the New York
City Ballet, TAKE FIVE…More or Less, for Pacific Northwest Ballet
and the musical HAPPINESS, for Lincoln Center Theater. Being in
the rehearsal room with her is always a laughter-filled, sweaty,
endeavor. I love it!
The big news is that I have been offered a role in the Broadway
revival of PROMISES, PROMISES, starring
Kristin Chenoweth and Sean Hayes.
The show will be directed and choreographed by Tony and Emmy Award
winner Rob Ashford and begins previews at the Broadway Theater on March
28th 2010. Opening night is April 25th.
The musical has a book by Neil Simon and a hit-packed score by
Bacharach and David ("I'll Never Fall In Love Again," "Promises,
Promises," and "Knowing When to Leave"), and is based on the 1960
Academy Award-winning Billy Wilder film, THE APARTMENT ( Jack
Lemmon and Shirley MacLaine). PROMISES, PROMISES is returning to
Broadway for the first time in over forty years (Although, I was lucky
enough to have performed in the City Center, Encores! production in the
mid 90’s, directed and choreographed by Rob Marshall).
November 2009
Hello Friends. Moscow was amazing! I had a great time working with a
talented group of actors there; very few of whom could speak English.
They worked like demons to get all the lyrics and choreography down and
we put on a terrific concert at the end of a three week intensive. The
experience was thrilling. Working with Judy Blazer again was pure
joy.
I had knee surgery upon my return in July, which made for a slow,
crutch-laden summer.
But now I’m raring to go again and will start off with a few
concerts with
Kristin Chenoweth and the
Cincinnati Pops on November 13 – 15.
May 2009
On May 11th I will be joining
Kristin Chenoweth for her concert at
City Center,
Encores! We also have concerts planned for Cincinnati, Ohio, the weekend of
September 10th. Later in the summer I will be going to Moscow to teach a musical
theater intensive with my pal, Judy Blazer. I have no idea what to expect. With
Judy, it’s sure to be a hoot.
Thanks for visiting,
Seán.
November 2008
Well folks, the economy hit my world in September and
BRIGADOON
was shelved. Hopefully it will be back on the schedule for next season.
In the meantime I sang on a studio recording of
DEAR EDWINA, by
Marcy Heisler and Zina Goldrich and did a reading of PROMISES,
PROMISES directed by Rob Ashford and starring Sean Hayes and Anne
Hathaway. That was pretty cool.
July 2008
I had a blast doing
CURTAINS. Such a great company
and everyone made me feel so welcome. So sad to see that show close.
I just played The Gypsy King in a reading of EVER AFTER,
directed by Doug (Doubt) Hughes. It’s a charming new musical with an
outstanding score, based on the 1999 film, Ever After.
Next up
YANKEE DOODLE - I’m pulling out
the tap shoes to play George M. Cohan in a new version of his Broadway
story at The Ordway Center in Saint Paul, Minnesota. I love playing this
part; he’s the original song and dance man. And it’s the only show I
ever did where the audience stood at the end of act one!
I am now set to play 'Lundie' in the Broadway bound revival of
BRIGADOON which will be heading to Boston’s Colonial Theatre
mid-October. Rob Ashford (Thoroughly Modern Millie, Curtains)
who’s given me practically every job I ever had, is directing and
choreographing. John Guare, (Six Degrees of Separation) is
reworking the book. Brigadoon is now “a pacificist town that
'disappeared' in 1939 because its inhabitants didn't want to live in a
world torn apart by war." Then on to Broadway early 2009. |